蜜桃电影

1962年悬疑电影大师与法国新浪潮新锐导演的著名对话1965年成书2015年这本书有了影像版并请了D Fincher 等各国名导演来谈希区柯克他真的影响了几代电影人Vertigo 着墨最多被认为是自我投射特吕弗问：当你拍摄犯罪故事时最感兴趣的是道德上的矛盾境地吗希区柯克：是的 Not a TV star, not the master of suspense, but Alfred Hitchcock the artist, who wrote with his camera. “ I suppose the films with atmosphere suspense and incident are really my creation as a writer.”